Day 24 of flat picking.

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Posted by Doc Twang on Monday, March 24, 2025

Hey there, fellow music lovers! It’s been 24 days since I picked up my guitar with a mission: to learn the art of flatpicking. I’ve been chronicling my journey, and today I want to share where I’m at—stumbling, strumming, and slowly getting the hang of it.

The Goal: Old Joe Clark

My current obsession is learning the melody of Old Joe Clark, a classic American folk tune that’s been around forever. It’s got that bouncy, upbeat feel that’s perfect for a beginner like me trying to get comfortable with flatpicking. The melody isn’t overly complicated, but it’s got enough twists to keep me on my toes. I started by listening to a few versions—some fast and fiery, others slow and deliberate—to get a sense of the vibe. Then, I grabbed some tablature and dove in.

The first few days were… let’s call them humbling. My pick felt like it had a mind of its own, slipping between strings or hitting the wrong ones entirely. But bit by bit, I’ve started to feel the rhythm. I’m focusing on keeping my right hand steady, using alternating down-up strokes, which is the backbone of flatpicking. The melody’s coming together now—those opening notes are starting to sound like Old Joe Clark instead of a random jumble. Progress!

Chord Basics: The Unsung Heroes

Alongside the melody, I’ve been working on basic chords—G, C, D, and a little bit of A. These are the building blocks of so many songs, and they’re perfect for backing up Old Joe Clark. At first, switching between chords felt like a race against time. My fingers fumbled, and the transitions were anything but smooth. But after 24 days of practice (okay, maybe 22—I skipped a couple), I’m getting faster. The trick, I’ve found, is to keep my left hand relaxed and let muscle memory kick in.

I’ve also been experimenting with strumming patterns to complement the melody. Nothing fancy yet—just a simple down-down-up pattern to keep the rhythm steady. It’s amazing how much life a basic chord progression can bring to a tune when you lock in the timing.

The Highs and Lows

Let’s be real: learning flatpicking isn’t all smooth sailing. Don’t get me started on the frustration of missing a note I nailed five minutes earlier! But then there are the highs—like when I played through the first half of Old Joe Clark without a hitch, or when my G-to-C chord switch didn’t sound like a car crash. Those moments keep me hooked.

What’s Next?

I’m nowhere near ready to join a bluegrass jam, but I’m loving the process. My next steps are to clean up the second half of Old Joe Clark’s melody and maybe add some simple embellishments—like a hammer-on or a slide—to make it my own. I’m also planning to record myself soon, just to hear how far I’ve come (and cringe at where I started).

If you’re thinking about picking up flatpicking—or any instrument, really—my advice after 24 days is simple: start small, stay consistent, and don’t be afraid to laugh at your mistakes. I’m proof that even a newbie can make progress with a little patience and a lot of practice.

So here I am, 24 days in, chasing the spirit of Old Joe Clark one note at a time. Got any tips for a beginner flatpicker? I’d love to hear them—drop them below! Until next time, I’ll be strumming away, pick in hand, and grinning like a fool every time I hit the right string.

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