Acoustic Music Camp
July 26 - 28, 2018 Arlington Texas
A three day music camp for teaching you how to play Mandolin, Banjo, Flat pick Guitar, Bass, Fiddle, Fingerstyle Guitar & Songwriting!
Small class sizes with hands-on instruction and an emphasis on fun is what you can expect at Acoustic Music Camp 2017. Come join us this August in the Dallas/Fort Worth area and learn to make better music in a friendly, supportive environment. Only 15 minutes away from DFW Airport and conveniently near major malls, Six Flags Over Texas, and water parks. We chose our talented lineup of instructors because they are great pickers, great teachers and great people.
Teachers: Ned Luberecki, Gerald Jones, Alan Tompkins - Banjo, Paul Glasse, Dix Bruce - Mandolin, Brad Davis, Robert Bowlin, - Guitar, Gretchen Priest, Robert Bowlin - Fiddle, Irl Hees - Bass, Sam Swank - Fingerstyle Guitar, D. Lee Thomas - Clawhammer Banjo, Wil Maring - Songwriting.
For more info: http://AcousticMusicCamp.com
Playing Since: 1972
Experience Level: Expert/Professional
1934 0-18, cedar top Louden from the 1980s, My Dad's 1950 Gibson J-45, 1953 Gibson ES-175, stat, 1995 Gilchrist Model 5 mandolin, 2008 Ellis mandolin, and various b@anjos, fiddles, octave mandolins, etc.
Too many to list.
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Last Visit 3/25/2022
By Joe Carr - from Banjo Newletter January 2004 (I know it's 'way too long...)
Gerald Jones is well known in Texas music circles as a multi-instrumental genius. He is less well known across the country, however. Local performances with his group Acoustic Plus, featuring Texas fiddle legend Texas Shorty, showcase his wide range of talents on banjo, guitar, mandolin and fiddle. In addition to impressive performance skills, Gerald has always been quick to share his knowledge. He began teaching almost from the time he started playing. His many students include Dixie Chick, Emily. He has been on the Camp Bluegrass banjo faculty since 1989. His special topic seminars such as “25 Banjo Licks You must Know,” and “How Not To Sound Bad and Other Musical Survival Tips” are very popular. I first met Gerald at Bill Monroe’s McKinney, Texas Bluegrass Festival in 1972. He stood out right away - a long haired banjo player with cowboy boots and the only person under age 30 (other than me) at the festival. He was sitting under a tree and picking a 1970s Gibson RB250 banjo. This chance meeting began a 30 year friendship that continues today.
Gerald was always known for being the guy who knew all the cool licks. While most North Texas banjo players were playing in a Scruggs/Stanley inspired approach, Gerald was listening to everything and incorporating it into his style. Prince, disco, fusion jazz. . . nothing was too outside for this guy. The 1970s were experimental years for bluegrass with groups such as New Grass Revival, Red White and Bluegrass, The II Generation, Seldom Scene, The New Deal String Band, High Country, Country Gazette and Country Cooking. Gerald soaked it all in and more. Charlie Christian, Jean-Luc Ponty and Charlie Parker records all found a place in Gerald’s record collection while the licks found their way into his playing. In these years, Gerald was playing music full time and worked with an incredible variety of groups including Roanoke (Bluegrass with Dan Huckabee. Mike Anderson and Joe Carr), Lazy River (Bluegrass and more with Vince Gill), Spats (80s soul/pop/fusion) and Texas country singers Will Barnes and Red Stegall. He also appeared in Texas with Michael Martin Murphy, John Hartford and Mark O’Connor. Gerald was born in Gainesville, Texas to Elbert and Reva Jones. Elbert was a master plumber and a fireman and played guitar with a number of North Texas dance bands. Gerald began playing guitar as a teenager and got the Bluegrass bug as a senior in high school. Bob Davis was a talented flatpicker and singer who performed with the legendary Stone Mountain Boys which featured Ed Shelton. Davis lived in Gerald’s hometown and Gerald spent many nights at the Davis home soaking up the music. Through Davis, Gerald met many of North Texas’ bluegrass elite and got a few banjo picking pointers as well. He soon joined a bluegrass group comprised of students at North Texas State University in Denton, Texas. This group evolved over several years to become Roanoke, a group which recorded one album in 1976 with Slim Richey’s Ridge Runner record label. During this period, Gerald recorded on numerous projects including recordings featuring Dan Huckabee, Country Gazette and an unreleased project of Jazz/fusion banjo with Mark O’Connor, Sam Bush and Jerry Douglas This material foreshadowed the later work of Bela Fleck. After leaving the Roanoke band, Gerald moved to Louisville, Kentucky and played with Lazy River featuring Vince Gill. When this talented but short lived band dissolved, Gerald moved back to the Dallas area, where he still lives. For the next few years, he continued to freelance as a musician in the Dallas-Fort Worth area. During the country-rock crazed 1980s, Gerald worked regularly as a lead electric guitarist and an occasional banjo picker. From an early age, Gerald was fascinated by electronics and later, computers. He was the sound tech in every band he played in. He developed and marketed the first good sounding electric pickup for banjo called the Jones Acoustic Plus. At one time, this pickup was the preferred system and was used by all the top professionals including Bela Fleck. Gerald’s interest in computers continued through the 1980s when he began working with numerous Dallas print shops and related businesses as a graphic artist. This successful-hobby-turned-profession continues today. His expertise extends to package design, professional digital photography and web page design. Through the 1990s, Gerald continued to perform as a freelance musician in the Dallas area. His friendship with Texas fiddle legend Texas Shorty (Jim Chancellor) led to the formation of Acoustic Plus, a trio featuring Gerald, Jim and Gerald’s wife Leigh on bass. This group performs a variety of music based largely around fiddle and banjo. Gerald also performs in an original education production along with classical guitarist Chris McGuire. This educational grade school program traces the history of stringed instruments from ancient Persia to modern times. Gerald is featured on a host of instruments including banjo, guitar, fiddle, mandolin and even the flute! Graphic arts production and music performances fill only part of Gerald’s busy schedule. Other recent activities include 1) providing sound equipment and sound engineering for various Dallas area festivals and concerts, 2) producing and recording CD projects for various music groups, 3) recording instructional materials for Mel Bay Publishing, 4) re-mastering the 45rpm recordings of Jim Chancellor for release in CD format, 5) serving as a officer for the Fort Worth Classic Guitar Society, and 6) teaching banjo at various workshops including Camp Bluegrass in Levelland, Texas. Gerald is a unique combination artist and technical expert. His music is soulful and inspiring while his calm analytical mind can unravel to most perplexing of technical mysteries. His beautiful music, kooky sense of humor and incredible technical knowledge make him an incredible presence to encounter. I have no better friend. This bio, written by Joe Carr, appeared in Banjo Newletter January 2004 http://TheGeraldJones.com
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